Food Person by Adam Roberts 

Book Description 

For fans of Alison Espach’s The Wedding People and Dolly Alderton’s Good Material, a delectable comedy of manners about cooking, ambition, and friendship set in the food world as a young and socially awkward writer takes a job ghostwriting the cookbook for a famous (and famously chaotic) Hollywood starlet.

Isabella Pasternack is a food person. She revels in the beauty of a perfectly cooked egg, she daydreams about her first meal at Chez Panisse, and every inch of her tiny apartment teems with cookbooks, from Prune to Cooking by Hand to Roast Chicken and Other Stories. What Isabella is not, unfortunately, is a gainfully employed person. In the wake of a disastrous live-streamed soufflé demonstration, Isabella is summarily fired from her job at a digital food magazine and must quickly find a way to keep herself in buckwheat and anchovy paste. When offered the opportunity to ghostwrite a cookbook for Molly Babcock, the once-beloved television actress now mired in scandal, Isabella warily accepts. Unfortunately, Molly quickly proves herself to be a nightmare collaborator: hungover, flaky, shallow, and—worst of all—indifferent to food. But between Molly’s bizarre late-night texts, goofy confessions, and impromptu road trips, Isabella reluctantly begins to see Molly’s charms. Can Isabella corral Molly out of the gossip rags and into the kitchen? Can she find the key to Molly’s heart and stomach? Or will Isabella’s devotion to her culinary idols and Molly’s monstrous ego send the entire cookbook—and both of their careers—up in flames?

A mouthwatering, hilarious debut peppered with insider food world detail—the real writers behind celebrity chef cookbooks, the hot restaurants that run on the backs of their sous-chefs, the secret to perfect blinis à la Russe—Adam Roberts’s Food Person is a literary soufflé—a deceptively light, deliciously rich, showstopping confection.

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Slashed Beauties by A. Rushby 

Book Description 

A gothic feminist body horror in two timelines revolving around three Anatomical Venuses—ultrarealistic wax figures of women—that come to life at night to murder men who have wronged them.

Seoul, present day. Antiques dealer Alys’s task is nearly complete. She has at last secured Elizabeth, the final anatomical Venus in a dangerously intertwined trio. Crafted in eighteenth-century London and modeled after real-life sex workers to entice male medical students to study female anatomy, these eerie wax figures, known as slashed beauties, carry unsavory lore. Legend has it that the figures are bewitched, and come to life at night to murder men who have wronged them. Now Alys embarks for England, where she knows what she must do: sever her cursed connection to the Venuses once and for all.

London, 1763. Abandoned and penniless in Covent Garden, wide-eyed Eleanor and another young woman, Emily, are taken under the wing of beautiful and beguiling Elizabeth, one of the city’s most highly desired courtesans. But as Eleanor is seduced deeper into a web of money, materialism, and men, it seems that Elizabeth may not be the savior she appears to be.

As past and present begin to intersect, it becomes clear that the women’s stories are linked in deeper, darker ways than it initially seems. And that the only method for Alys to end the witchcraft that binds her legacy is to gather all three models in one place and destroy them.

The problem is, Elizabeth is not ready to burn. Far from it. Centuries on, she is determined to rise again, and she will obliterate anything standing in her path. Including Alys herself.

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Haven’t Killed in Years by Amy K. Green 

Book Description 

No one is supposed to know harmless office worker Gwen Tanner is the vanished daughter of serial killer Abel Haggerty. But a low profile and a new name aren’t going to cut it when an obsessive new killer starts targeting her, in this lively and propulsive thriller with a standout voice.

Marin Haggerty, the daughter of a notorious serial killer, was only a child when they arrested her father. Ripped from her home and given a new identity, Marin disappeared.

Twenty years later, Gwen Tanner keeps everyone at a distance, preferring to satirize the world around her than participate in it. It’s for her safety—and theirs. But when someone starts sending body parts to her front door, the message is clear: I Know Who You Are.

To preserve her secrets, Gwen must hunt down the killer, a journey which immerses her in the twisted world of true crime fandom and makes her confront her past once and for all. Maybe she is capable of deep, human connections, but she’s not the only one keeping secrets. Will opening herself up to others help her find the killer, or remind her why it was necessary she hide her true self in the first place?

The apple never falls too far, after all.

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